Monthly Archives: June 2018
Suprematism is the direction of non-objective art, invented by KS Malevich. Russian and Western European researchers often derive it from the French word supreme, while the term is actually derived from the French word supre mati (superiority, primacy) or even from the Polish suprémacja, which has the same meaning. According to Malevich’s own explanation, “the word suprematism means primacy (that is, the primacy) of the color problem.”
The impulse for the birth of Suprematism was given by the cubofuturistic period in the artist’s work, the most important category of which was alogism. It is alogism that allowed to mate diverse spheres of life, freely operate with categories of space and time, gave priority to intuition in the process of creativity, because from Malevich’s point of view, the masters who preferred reason remained chained to the real world forms, “did not go beyond zero”. Continue reading
The art of lace making arouses interest for a long time and has a rich history. It flourished in the Middle Ages. And under the Soviet regime in Russia, this art was considered bourgeois. In the 1920s – 30s, handmade lace-making became one of Russia’s unique folk crafts.
In Tsarist Russia, there were 17 areas where lace was woven. Some of them, later, became crafts, in some lace weaving only for themselves. Continue reading
I think many will agree with me that the ornament, like any other folk art, is a reflection of the culture, customs, and foundations of its time. Ornamental art, in my opinion, is very unique, it can be perceived as a kind of diary, only you need to learn how to read it.
<Old-Russian ornament. Of course, in ancient-Russian ornament, as in many others, there are many motifs that were borrowed from other nations, in particular, from Byzantine and Eastern art. But at the same time, only those motifs that were close and understood by Russian masters took root in the ornament of Ancient Russia. Continue reading